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| 1906 |
| | | Sergei Diaghilev mounts a major exhibition of Russian art at the Petit Palais in Paris. | |
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| 1907 |
| | | Pablo Picasso's Les Demoiselles d'Avignon, a violent transition into cubism, is a turning point in western art | |
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| c. 1908 |
| | | Georges Braque's Houses at L'Estaque introduces analytic Cubism | |
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| 1908 |
| | | The French critic Louis Vauxcelles describes Braque's latest landscapes as being composed of cubes, resulting in the term cubism | |
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| c. 1909 |
| | | René Lalique, originally known for his jewellery, sets up his own glass-making factory at Combes-la-Ville | |
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| 1909 |
| | | Set-designer Leon Bakst begins a long association with Diaghilev's Ballets Russes | |
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| 1910 |
| | | Henri Matisse completes two large paintings, La Danse and La Musique, for the staircase of Sergei Shchukin's house in Moscow | |
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| 1911 |
| | | Leonardo da Vinci's Mona Lisa is stolen from the Louvre in Paris | |
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| 1912 |
| | | Marcel Duchamp's Nude Descending a Staircase, No.2 creates a stir | |
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| 1912 |
| | | Georges Braque's Fruit-Dish and Glass adds papier collé (a type of collage) to the conventions of cubism | |
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